But it has also allowed I Think You Should Leave, with its feverish parade of awkwardness and vicarious self-flagellation, to snowball into an entirely new sort of comedy phenomenon: a cult hit that has achieved an outsized level of cultural impact, at least in terms of memes produced per minute of run time. It turned Key & Peele into a YouTube juggernaut. Streaming has reinvigorated sitcoms like The Office and Friends, garnering them new fan bases and making them the mindless comfort-watch of multiple generations. The sketches have an odd way of nestling into your head and hilariously applying to everyday life.Īs of July 22, 2021, both seasons of I Think You Should Leave with Tim Robinson are available to stream on Netflix.This content can also be viewed on the site it originates from. I highly recommend watching (or re-watching) ITYSL, even if you are on the fence about it. ITYSL truly is the gift that keeps on giving. The seemingly endless viewings are only strengthened by the “backburner sketches.” You may begin an episode to watch one sketch and find that another you never liked is actually quite funny in its own way. Whether it be the hilariously unforgettable quirks Tim Robinson adds to each of his characters or that one line you “forgot was even in there,” a rewatch of ITSYL will have you laughing every time. It is obvious the creators of the show are dedicated to carefully crafting and layering each episode, giving the viewer more to appreciate time and time again. What remains the same between season one and t wo is how truly joyful it is to revisit. Whether it was adding an oddly reflective tinge to the end of their first episode, or inventively playing upon film techniques in the “wife flashback” sketch, the crew clearly made an effort to boldly build not just their own vocabulary, but all of comedy’s vocabulary. The writers, along with director Alice Mathias, work together to challenge their sketches and stretch the boundaries of what they can achieve. While many shows with a hit first season may be tempted to rehash old bits or radically change to avoid comparison, season two of ITYSL shows signs of a ser ies m aturing and building on its format. Season two welcomes Patti Harrison ( ITYSL ’s favourite office worker) onto the writing staff and champions an entertaining si x-e pisode run.
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By juxtaposing TV commercials’ various formats against a host of absurd characters, or escalating a situation far past what anyone would deem socially acceptable, ITYSL pushes the seasoned viewer to ask, “Just what the hell am I watching?” This allows the creators to jump from joke to joke and end them at the most opportune (or purposely inopportune) time s. Using the sketch show format, ITYSL has the ability to offer commentary on an array of different subjects over the course of 15 minutes. What makes ITYSL so well made is its carefully calculated balancing act between “sitcom cringe” and “surreal comedy.”
While on the other end of the spectrum, Eric Andre’s surreal style bases its comedy in the (extreme) absurdity of reality. For example, Larry David’s embarrassingly awkward Curb Your Enthusiasm has been at the forefront of sitcoms for the last two decades. There is a tradition of comedians challenging the “invisible” customs of society. Created by Zach Kanin and Tim Robinson, former Saturday Night Live writers, an d produced by The Lonely Island, ITYSL offers a refreshing take on the pitfalls of societal norms.
From its debut season in 2019, ITYSL instantly caught the attention of comedy lovers everywhere. T he Netflix sketch show I Think You Should Leave with Tim Robinson ( ITYSL ) fills both these requirements tenfold. Show ) and create sketches that are so unique and original, the jaded viewer is consistently surprised ( Portlandia ). To rank a sketch show among the comedy greats, it must challenge format norms ( Mr.
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